Estranhamentos: Materialidades da Escrita na Viena de 1900

  • António Sousa Ribeiro Center for Social Studies, University of Coimbra

Abstract

Using a broad notion of materialities, the article touches upon some aspects of Viennese modernity with the aim of highlighting several dimensions of the practice of writing that offer relevant parallels to the work of Fernando Pessoa.

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Author Biography

António Sousa Ribeiro, Center for Social Studies, University of Coimbra

António Sousa Ribeiro is Professor in the German Studies Section of the Department of Languages, Literatures and Cultures and a senior researcher at the Centre for Social Studies (CES), University of Coimbra.  He was coordinator of the Ph.D. Program «Advanced Studies in the Materialities of Literature» (2010-2012), and is coordinator of the Ph.D. Programs «Post-colonialisms and Global Citizenship» (CES/FEUC), "Languages and Heterodoxies" (FLUC) and "Modern Cultures and Literatures" (FLUC). He was president of the Scientific Council of the Faculty of Arts (2000-2002), chair of the Department of Languages, Literatures and Cultures (2009-2011), president of the CES Scientific Council (2003-2007), and general editor of the Revista Crítica de Ciências Sociais between 1991 and 2008. He is currently the coordinator of the board of directors of CES. He has published widely on issues related to literatures and cultures of German language, comparative literature, aesthetics and literary theory, cultural studies, sociology of culture, and post-colonial studies. He is also a literary translator.

References

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Hofmannsthal, Hugo von (1979a). “Poesie und Leben”, in Reden und Aufsätze. Org. Bernd Schoeller. Frankfurt am Main: Fischer, 13-19.

_________ (1979b). “Ein Brief”, in Erzählungen, erfundene Gespräche und Briefe, Reisen. Org. Bernd Schoeller. Frankfurt am Main: Fischer, 461-72.

Kraus, Karl (1988). O Apocalipse Estável. Aforismos. Seleção, tradução e posfácio de António Sousa Ribeiro. Lisboa: Apáginastantas.

Martins, Catarina (2013). “Para lá da representação? Repensar a violência na prosa ensaística de expressão alemã do início do século XX”, in António Sousa Ribeiro (org.), Representações da Violência. Coimbra: Almedina, 65-81.

Moi, Toril (2004). “Ibsen, Theatre, and the Ideology of Modernism”, Theatre Survey, 45(2), 247-52.

Pessoa, Fernando (1982). Livro do Desassossego por Bernardo Soares. Org. Jacinto do Prado Coelho. Lisboa: Ática.

Ribeiro, António Sousa (1997). “Metamorphoses of the Flâneur: From Ringstrasse to Rua dos Douradores”, New Comparison, 21, 65‑77.

_________ (2007). “A Center that Can Hold. The Figure of Empire in Portuguese and Austrian Modernism”, in Vivian Liska e Astradur Eysteinsson (orgs.), Modernism. Amsterdam: John Benjamins, 561–72.

_________ (2011). “Modernist Confluences: Comparative Perspectives on Portuguese Modernism”, in Steffen Dix e Jerónimo Pizarro (orgs.), Portuguese Modernisms. Multiple Perspectives on Literature and the Visual Arts. London: Legenda, 250-63.

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Published
2013-06-30
How to Cite
RIBEIRO, António Sousa. Estranhamentos: Materialidades da Escrita na Viena de 1900. MATLIT: Materialities of Literature, [S.l.], v. 1, n. 1, p. 135-147, june 2013. ISSN 2182-8830. Available at: <https://impactum-journals.uc.pt/matlit/article/view/1634>. Date accessed: 16 sep. 2019. doi: https://doi.org/10.14195/1634.
Section
Secção Temática | Thematic Section

Keywords

Materialities of Literature; Fernando Pessoa; Viena, 1900; Karl Kraus; Hugo von Hofmannsthal.